Legendary producer Giorgio Moroder is very excited to hear Madonna’s new album and believes she can become really ”big again” if she releases a record packed with dance hits.


Giorgio Moroder insists Madonna will be very ”big again” if she releases the right album.
The legendary producer-and-DJ is excited to hear the 56-year-old singer’s next LP – which leaked earlier this month but is due for release next year – and is very pleased she is has been recording dance tracks with Avicii because he believes that is the best genre for her.
He told BANG Showbiz: ”Madonna is still relevant, people still love her and she’s still good. She’s getting older of course but she still has a great voice. I think if she makes the right dance album I think she could become quite big again. I know she’s working with very young people and I think she could do well with the right record.”

Madonna is an admirer of Moroder and her track ‘Future Lovers’ – which featured on her 2005 album ‘Confessions on a Dance Floor’ – has a bass line inspired by Donna Summer’s ‘I Feel Love’, which Moroder produced and she opened her 2006 ‘Confessions Tour’ with a medley of ‘Future Lovers’ and ‘I Feel Love’.

Moroder is releasing his own new album in 2015, his first studio LP for more than 30 years, and the record features collaborations with Britney Spears, Sia, Charli XCX, Kylie Minogue, Mikky Ekko and Foxes, among others.
As well as his album, the 74-year-old musician still DJs all over the world and admits he was pleased when the EDM movement took off because he started to earn more money.

Moroder – who was a pioneer of dance music in the 70s and 80s – quipped: ”I love EDM because there’s a lot of money around and I’m a DJ too so I’m making nice money! It is the pop music of the world now, the music that is considered dance.’


Earlier this week, Madonna pulled a Beyoncé by releasing six new tracks off her forthcoming album with no announcement. The move comes after the songs were first leaked, an act the singer called “terrorism” and “artistic rape.” The songs, which include the Nicki Minaj collaboration “”Bitch, I’m Madonna,” quickly rose to the top of the iTunes charts, holding the top six spots in over 20 countries.


While international success is nothing new to Madonna, it’s increasingly against the cultural narrative of her as a leftover of ‘80s detritus. While every female pop artist of the last thirty years owes her a great debt, she’s often portrayed as too old, too eager, or too lacking in the energy and depth that first made her a success. The top listing for Madonna on Urban Dictionary defines the artist as “an extremely talented marketer, who over more than twenty years has excelled in the aggressive selling of an otherwise not particularly desirable product—herself.”

Which is a pretty astonishing summary of a career once lauded as the most influential female role in pop music. Despite her critics, Madonna remains the last and best bastion of the ’80s and ’90s music. Largely defining the past three decades of pop music, Madonna remains the most emblematic icon for Generation X, the middle child of American culture. Squeezed between the behemoth populations of baby boomers and millennials, GenX knows they need to savor their cultural heritage—hence Madonna’s continued triumph.

Fairly or not, Generation X is often tossed between the hedonism of hair metal and the lackluster antipathy of grunge. The legacy of the 1980s as a decade is one of smarm, camp, and a plasticine devotion to novelty—and the music hasn’t fared much better. While grunge was the failed rebellion in the face of ‘80s decadence, Madonna reigned through both eras as a moralistic insurgent in the jungle.

She was subdued where metal was boisterous, delicate where hip-hop was stern, and activated where grunge was lazy. She could sit-in on Nightline and debate obscenity as well as she could negotiate an interview with a drunken Courtney Love. She was the first gay icon to actually embrace gay rights and completely restructure how sexuality is talked about. To this day, she’’s been a consistent lighting rod who loves to be struck, as energized by Nicki Minaj as she is by Pussy Riot.

Which makes her a standout among ‘80s icons. While the signs of boomer nostalgia never seem to fade and millennials still hold center stage (for now), the musical icons of Generation X, to paraphrase Neil Young’s famous line, have either burnt out, faded away, or both.

Michael Jackson is dead. Chinese Democracy was released—and it sucked. The Foo Fighters are now bigger than Nirvana ever was. The bravado and aggression—the revolutionary excitement—of early rap is now fodder for Jimmy Fallon. Even heavy metal, which once shocked with Satanic allusions and sexual deviance, is more likely to host a theme cruise than remind anyone of revolt. The cultural peaks of Generation X’s lifespan are either buried or lost in the fog of ornamental relevance.

Even Prince, that mystical warrior of funk and sex, suddenly finds himself fighting the passage of time in a geezer-like manner. He and Madonna seem like natural counterparts; each focused heavily on sexuality, thinning out the borders between genders, ethnicities, and the expectations of a black or female artist. Yet his career and influence wanes as he tries (and fails) to sue his own fans for wanting to buy music in the 21st century.

And while one must strain to hear any of Prince’s original ideas survive into the pop music of today, Madonna is scattered through every major act of the last 15 years. If Madonna were to start her career today instead of in 1983, she’d appear to be a mashup of every major artist currently working: The bold iconography of Beyoncé, the feminine lightness of Taylor Swift, the dour theatrics of Lorde, the dancefloor sensibility of Rihanna, the pipes of Ariana Grande, and the artistic extremism of Lady Gaga. Madonna’s influence on American pop music is almost smothering in its totality.

One of the biggest factors in this influence is not simply her talent but the context in which she thrived. Looking back from today, it’s hard to imagine a time when the vast majority of the top artists in the world were men. Earlier this year, Billboard celebrated a record five weeks where all of the top five artists on the Hot 100 were women. In their annual ranking of the most powerful musicians, Forbes had three female acts in the top five—with Beyoncé holding the number one spot.

As Today’s Tom Sclafani once remarked, “before Madonna, most music mega-stars were guy rockers; after her, almost all would be female singers.” In 1983, Madonna entered a world dominated by Michael Jackson, The Police, and the likes of Def Leppard. This was before the golden age of R&B that would bring Whitney Houston and well after the death of disco and its divas. Sure, you had your Cyndi Lauper, your Pat Benatar, your Chaka Kahn. But Madonna reached a superstar status unrivaled by any of her female colleagues.

This means she largely built the only framework for the female pop star, fundamentally altering all that comes after her and nearly embarrassing all that came before. In this way, she’s the iPhone of pop stars: not merely succeeding in the market but demolishing and rebuilding the market in their own image.

Which is why Generation X won’t let her go. So much of ‘80s and early ‘90s culture was built on self-gratification and a tendency towards the absurd. Madonna is the only performer still standing after that torrent of selfishness, that epoch of pointless grandiosity. She’s the last lighthouse ushering GenXers in from an existential sea, offering merely the opportunity for an identity not built on the dead or disgraced.

Source :


Madonna’s surprise pre-release of six songs from her upcoming album Rebel Heart on Dec. 20 was a hard-fought victory: the result of two sleepless nights to combat the widespread leaks of more than a dozen unfinished demos just three days prior. And it almost didn’t happen.

“We didn’t know until Friday night [December 19], 11:30 [Eastern] and 8:30 [Pacific] that it would even work,” Guy Oseary, Madonna’s longtime manager, said in a phone interview on Dec. 23. “There was a chance that technically it was not possible because it was so last-minute. Normally it wouldn’t be the end of the world, but because iTunes was shutting down [for the holiday] we were told that it would either go live at 11:30 East Coast time or January 5. We didn’t know — she was saying her prayers, we were all just hoping.”

The result? Pre-orders for the March 10, 2015 album topped the iTunes charts in more than 36 countries, with three of the album’s six finished songs entering this week’s Billboard’s Hot Dance/Electronic Songs chart. Lead single “Living For Love” was serviced to U.S. radio stations on Dec. 22 by Madonna’s label Interscope, with a bigger push coming in January. An official music video will be filmed next month as well, with a planned release for the “first week of February,” as Oseary revealed in a separate Twitter Q&A on Dec. 27.

But Madonna & co. aren’t coming up for air just yet. Just hours after Oseary spoke with Billboard on Dec. 23, 14 more tracks from the Rebel Heart sessions leaked, including the alleged Lady Gaga diss track “Two Steps Behind Me” (which Oseary has already denied is about Gaga or “anyone in particular”).

Below is an excerpt of Billboard’s conversation with Oseary last Tuesday (Dec. 23), including a detailed account of how Madonna and her team sprang into action to respond to the leaks. “If people knew what had to happen from Wednesday to get it it up for Friday, it was a circus show.”


It’s been six days since the leaks started spreading. Have you slept yet?

Last night I got some sleep. This ride was crazy. And what a crazy year. It’s been big.

So what happened, exactly?

I mean look, our music was stolen. And now it’s an ongoing investigation, so we’re taking it very, very seriously. Two songs came out a few weeks ago, and we were able to contain it. We did what we could to contain it. It’s hard to contain a leak online. And then it was Tuesday, last Tuesday — it feels like a year ago — but it was last Tuesday when I started seeing messages going a lot of the songs are leaking. [We were] trying to pull down as many leaks as we could, and then it got to Wednesday morning it was just unstoppable. It was all out there. You could not seal this leak. So, Madonna was pretty adamant that we should go immediately, that we should put out as much of the finished music as we could. And there was a lot of talk about the many reasons why it didn’t make sense – there was just a lot of chatter of having to hurry and all of the many, many reasons why it made no sense. But she was adamant that she didn’t want people to think those were the finished tracks. And she was devastated — I mean, devastated and sickened that someone would do this to her and not allow her the chance to share the finished product with people.

We were thinking about going with “Living For Love,” as you saw, as a Valentine’s Day song, and the album at the end of April. We’re talking all of April, so that’s four-and-a-half months early. You always hear about one week early, two weeks early… but this is crazy. So, [Interscope vice chairman] Steve Berman was really helpful, and he also knew all the many reasons why it may not make sense to do it. But he supported Madonna to do it and rallied all the troops together to pull this off. And then Robert Kondrk at Apple really helped us push this through.

When did you know you were good to go with the iTunes upload?

We didn’t know until Friday night, 11:30 her time and 8:30 my time, that it would even work. There was a chance that technically it was not possible because it was so last-minute. Normally it would be the end of the world, but because iTunes was shutting down we were told that it would either go live at 11:30 East Coast time or January 5. We didn’t know, so we get this phone call at 8:30 at night saying, “we are good.” She was saying her prayers, we were all just hoping.

When I got the message that [the release was working], it started happening slowly and surely. Then it finally rolled out around the world, and it took a full day, until Sunday, for the album to register. On Saturday, six songs were in the top 10 almost in every country around the world. On Sunday, when the album finally registered, it was number one in almost every country, along with the six songs. It was an exciting ride. We all wish the hacking or stealing of the music never happened, but we’re really grateful that everyone wanted the music to be heard. If people knew what had to happen from Wednesday to get it it up for Friday, it was a circus show.

Now that you’ve pulled off this feat, and moved up the album timeline by nearly two months, what’s next?

We have a video shoot at some point, things to go do, now we’ve gotta figure it out what happens next. She really wants to support this, and wants to make sure that — because it was so far out, we have to regroup. She did one or two interviews… there was no time to explain. I’ve learned a lot over the last few years, and it was important that the few songs we did release be understood because it was so rushed.

How is this being handled legally? Do you have any idea of the source?

We’re talking about a criminal. It was photos, videos, anything that feels like it shouldn’t be out there. She was posting them [on Instagram] saying, “Hey, I’m seeing this for the first time. Nice, thanks a lot.” You know, this is new days, we’ve learned a lot, we understand where the holes were. And we’re doing all of it. It’s real. It’s real stuff. A lot of pain, you know, seeing a lot of your private work just being thrown out there to the universe because someone can steal it and do that.

Was this a case of a fan feeling like they were “gifting” this unreleased material?

They weren’t gifting people. I don’t want to get too into it, but it will all be revealed at some point.

Source: Billboard


On paper, Madonna singing about the Illuminati sounds atrocious, but Rebel Heart is easily Madge’s best album in at least 16 years. The artist initially planned to drop the album in the spring, but after a series of tracks leaked, she decided to release the first six song on iTunes, three months before the whole album comes out in March.

When the songs premiered, gay Twitter naturally exploded—some people were literally downloading the tracks on their smartphones at gay bars—but many fans expected little from Madonna’s 13th album. Since her 1998 comeback Ray of Light, Madonna has released five full-lengths, but only two have been truly worthwhile: Music and Confessions on a Dance Floor. In recent years, instead of collaborating with relatively obscure producers as she did on classics like Erotica and Ray of Light, Madonna has hired major names like Timbaland and Benny Benassi. The results, 2008’s Hard Candy and 2012’s MDNA, sounded tepid. On “Give Me All Your Luvin’,” a 2012 song featuring Nicki Minaj and MIA, she sounded downright bland when placed next to the rappers’ swag, like the queen of pop was attempting to reclaim her title from female MCs who had never stolen her throne in the first place. Coupled with an awkward Super Bowl performance and a lackluster grinding session with Miley Cyrus, some fans believed Madonna had lost her creative way and become a vampire lusting after her competitors’ youth.

Rebel Heart takes this critique and uses it as gasoline for empowerment anthems and vulnerable confessions perfect for the surreal, tragic year known as 2014 . The lead single “Living for Love” discusses surviving after a breakup with a guy Madonna left herself vulnerable to. (The person could easily be her haters.) “I’m gonna carry on,” Madonna triumphantly sings. “Living for love / I’m not giving up.”

Against a throbbing Diplo beat on a later track called “Bitch, I’m Madonna,” her angriest song since 1994’s “Human Nature,” the pop star sings about “jumping in the pool and swimming with our clothes on” and then imitates the ageist critics who complain about her dressing like a twentysomething. “Who do you think you are?” she angrily asks, before answering herself: “Bitch, I’m Madonna.” Next, Nicki Minaj jumps on the track, embodying Madonna. “Ain’t got a thing left for me to prove / It’s that bottle service all night,” she raps. “Bitch, I’m Madonna. These hoes know.” Unlike her “Give Me All Your Luvin'” verse, Minaj’s vocal swagger compliments Madonna instead of overpowering her. Madonna’s anger gives her a charisma we haven’t seen since she danced alone in a dance studio to “Hung Up” nearly a decade ago.

On another Diplo joint, “Unapologetic Bitch,” she becomes an Anna Wintour–like boss, echoing “Human Nature”: “It might sound like I’m an unapologetic bitch / but sometimes, you know I’ve got to call it like it is,” she sings. “You know you never really knew how much you loved me ’til you lost me / Did you? / You know you never really knew how much your selfish bullshit cost me / Oh, fuck you.”

As she did on her recent tour, where she flashed her nipple while singing a ballad version of “Like a Virgin,” Madonna veers into the ridiculous on “Illuminati.” “Rihanna don’t know the new world order,” she sings. “It’s not Isis or the phoenix, cameras of Egypt.” The song starts as a vague, confusing meditation on the media, but the song’s chorus (“It’s like everybody in this party shining like Illuminati”) elevates the track from a piece of camp to a great dance banger. Few listeners can relate to a global superstar’s analysis of a celebrity-oriented conspiracy theory, but everyone can relate to feeling like a superstar at a club for a few fleeting minutes.

Madonna’s surprising relatability sounds like downright vulnerability on other tracks. “Devil Pray” opens with string sounds reminiscent of Madonna’s American Life singer-songwriter phase, but avoids the awkwardness of a pop star channeling her inner Liz Phair when a beat kicks in as Madonna sings, “We can do drugs and we can smoke weed and we can drink whiskey.” (She goes on to brag about how they could sniff glue and take E. Did I mention she’s 56?) Like “Illuminati,” the refrain seems absurd, but when Madonna admits she’s “getting weaker” and asks to “sing hallelujah” and save her “soul,” she sounds honest, even spiritual, and for the first time since Confessions on a Dance Floor, she finally fucking nails it.

The vulnerability crescendos on the standout track “Ghosttown,” one of those great dance songs that’s moving but not catchy enough to become a single. “Everything’s gone to hell,” Madonna sings. “All we’ve got is love.” Capturing the mood of the country, she asks how we’ve got to such an odd, terrible place. During the refrain she sounds like she’s painting herself as a savior, belting, “When it all falls down / I’ll be your fire when the lights go out.” But at the end of the chorus, she reveals she’s discussing a one-on-one relationship with the listener: “We’ll be two souls in a ghost town.”

The trick captures what made Madonna great in the 80s and 90s: her ability to sing cliches (“I am a material girl,” “we need a holiday,” “you’ve got to make him express himself”) and transform them into both personalized anthems and universal truths. And the slick, expensive production is catchy as hell this time around. What else can you ask for?

Source :



“There are those who want to shut me up but they cannot! We still live in a world that discriminates against women. There are People that are so hateful. they want to create feuds between strong women that do not exist! I do not wish ill will towards any other female artist and i never have! The World is big enough for all of us! I will fight for my rights as an artist and a human and a woman till the end if my days! Because i am a #rebelheart and i walk in the footsteps of giants and i will mot apologize for or defend my unpublished unfinished STOLEN work. If you don’t like who i am or what i have to say then why are you reading this? ‪#‎unapologeticbitch‬” -Madonna



Q: Is there really going to be 19 tracks on the album?
A: yes. 19 tracks on the album

Q: March release?
A: the plan was to release the album late in April. Them with the leaks we decided for early march.

Q: When can we expect the next video? LOVE the album!!!!!!
A: thank you. “Living for Love” video has not been shot yet. The single was supposed to come out valentines day week..

Q: when is the first music video released
A: hope to have “Living for Love” video released for first week of February.

Q: Will Madonna be doing any UK promo
A: yes. U.K. promo will happen. We had a plan for it. Now we need to put together a new plan.

Q: which song is your favorite?
A: currently #Ghosttown

Q: what will be the first video?
A: first video will be for “Living for Love”

Q: will u actually promote this album?
A: yes. This album will have promotion..

Q: what about the demo song two steps behind me? it is for lady gaga?
A: that song is NOT about gaga or anyone in particular.
The song is an unfinished demo she had no intention of finishing or releasing along with many others..

Q: Hi Guy, I’m a bit tardy… Is there hope that you’ll find the person who stole the demos?
A: we are working hard to solve this crime.. @madonna feels extremely violated to have her unfinished work stolen and released

Q: is there a 2015 tour in your plans?
A: a lot of tour questions from everyone. I don’t have anything to report regarding tour…….. Yet.

Q: has the second single been chosen yet?
A: second single has not been chosen

Q: We Want “Mtv Unplugged” with Madonna
A: I would like that too. Maybe one day.

Q: will there be 19 songs or tracks that are interludes??
A: 19 full songs.

Q: does @Madonna know her real fans aren’t behind the leaks
A: she’s knows.

Q: are you proud of M?
A: I’m very proud of her. I’m loving the music. I listened to #Ghosttown all day today. Last week was all about #DevilPray

Q: You’re online and aware of all those leaks, and nothing has been done yet, I know many websites and forums where liks spread
A: doing what we can Oscar. This was a crime and we are dealing with it

Q: Is Madonna ready to use more Twitter???
A: she’s an Instagram gal… But she will definitely talk to her fans here in the new year to answer many of your questions directly

Q: When will you start promoting the sigle? @guyoseary
A: in the new year. But we don’t have anything immediately planned. The leaks happened last Tuesday. We are rushing now.

Q: Madonna will direct a new movie next year?
A: no directing movie next year… 2015 = All #RebelHeart

Q: Madonna still hates Gaga?
A: She has NO ill will towards gaga. It’s nonsense She was listening to the Tony Bennett duet album last week and appreciating it

Q: Are you living for love, Guy?
A: yes I am.

Q: She was extremely upset with the leaks, but please tell me that she smiled when she saw the number one
A: she was happy about number 1 album on itunes global but unfortunately leaks of stolen music did not allow her to enjoy it..

Q: Are you going to re-launch the album?
A: yes. We must launch in the new year. This wasn’t really a launch. We did our best under the circumstances. Thank you @Interscope

Q: I just want to express my sympathy to you & @Madonna. As I read your replies to this Q&A It’s really a bit heart breaking. #Leaks
A: thank you

Q: we want another #AskMadonna Make this happen please
A: yes. That would be great in the new year.

Q: Guy when will we get LFL video??
A: February

Q: a lot of fans would love to have printed lyrics on the album booklet again, is that a possibility?
A: ok. Will work on it

Q: The album is already completely finished?
A: almost finished. Needs a little more work in the new year. Almost done

Q: does madonna hate us little monsters? I’m a madonna and GAGA fan
A: it’s great that you support both artists. Why shouldn’t you?

Q: Would love to see Madonna & Britney work together again?
A: yes. They are friends. It’s been a long time since they collaborated. It would be great #maverickfamily

Q: Has a director(s) for the #livingforlove video been selected yet & who is it??
A: a director has been selected.

Q: Everyone I know loves to death Ghosttown including myself. Why is this not a single? In a movie soundtrack?
A: We didn’t know we were releasing any music until last week. #Ghosttown and the rest were to wait until late April..

Q: Will @aliciakeys appear on the next video playing the piano?
A: unfortunately not, she’s having a baby. @aliciakeys lights up any place she appears. Love her ! #wearehere #maverickfamily

Q: THANKS for being so kind with us!
A: thank you.

Q: can you help put an end to Madonna fans always sending hate towards Gaga pls x8
A: and you do the same with gaga fans. Everyone should support one another. “Music, makes the people, come together”…

Q: I just want to thank her for posting so much fan artwork! I had the pleasure of having my drawing posted and am beyond grateful!
A: which one did you do? I love all the artwork the fans are doing. Really beautiful.

Q: does Madonna like Lana Del Rey?
A: yes she does.

Q: how was madonna reaction about all her songs leaking?
A: she was and still is devastated over the stolen unfinished music… We rushed released 6 songs.. We were not prepared.

Q: as is the relationship of Madonna with Katy? they already thought about doing music together?
A: that would be great. Nothing yet.

Q: Do you have any idea how many singles/videos will be released?
A: not sure how many. I’d love to see a video for #Ghosttown but nothing has been decided other than #livingforlove

Q: Madonna is number 4 on Worldwide iTunes Album Chart
A: yes. Really amazing with no set up. We are VERY grateful. With no video no radio no promo it will go down… Relaunch in 2015.

Q: madonna and miley still friends? there may be some collaboration between the two?
A: they are close friends. And support one another. #maverickfamily

Q: Why was Rebel heart choosen like a Album’s name?????
A: initially it was considered to be a double album. Half Rebel + half Heart.













Will Madonna sing with you at MSG?

Diplo: She may come out and sing. If me and Skrillex are in town, people will come out. I’m inviting the entire New York Knicks to come shoot warm-ups during my set.

Can you talk about your work with Madonna?

Diplo: The single comes out in February. There are two songs [the label] loves as singles; I don’t know which one will come out first. I go back next week on my birthday to mix more. She’s actually kind of hard-core. You can’t get away. I’ll be glad when we’re all wrapped up. It’s been a lot of work. I’ve worked harder on these songs than I’ve worked on our songs, and that’s a lot of fucking work.

Skrillex: I’ve never seen him more like, Fuck, I have to go back.

Diplo: If I can go back and wrap this up and make great songs for her… She’s the queen of making music. I remember having songs like “Cherish” and “Vogue” on cassette tapes. I’ve loved her production, and I’ve always loved how she’s a forward-thinking motherfucking beast. She was the first person to really bring in different sounds and co-opt things for her own sound, and I’ve always loved her for that.

For the Full Interview click HERE


Madonna catapults onto Billboard’s Hot Dance/Electronic Songs chart with three tracks from her upcoming Rebel Heart album: “Bitch I’m Madonna” (No. 14), “Living for Love” (No. 16) and “Unapologetic Bitch” (No. 26).

The songs, available for instant download upon pre-ordering the album (due March 10) or as a la carte purchases, were made available digitally in a surprise move at midnight on Friday (Dec. 19), following massive demo leaks earlier in the week. (An additional 14 demos leaked on Dec. 23.) The songs soar onto the chart, therefore, on the strength of only a partial week of sales and with only small benefits from other metrics (streaming, radio airplay and club play).

The cuts mark Madonna’s first entries on Hot Dance/Electronic Songs, which premiered on Jan. 26, 2013.

Madonna catapults onto Billboard’s Hot Dance/Electronic Songs chart with three tracks from her upcoming Rebel Heart album: “Bitch I’m Madonna” (No. 14), “Living for Love” (No. 16) and “Unapologetic Bitch” (No. 26).

The songs, available for instant download upon pre-ordering the album (due March 10) or as a la carte purchases, were made available digitally in a surprise move at midnight on Friday (Dec. 19), following massive demo leaks earlier in the week. (An additional 14 demos leaked on Dec. 23.) The songs soar onto the chart, therefore, on the strength of only a partial week of sales and with only small benefits from other metrics (streaming, radio airplay and club play).

The cuts mark Madonna’s first entries on Hot Dance/Electronic Songs, which premiered on Jan. 26, 2013.

“Bitch I’m Madonna,” featuring Nicki Minaj, leads with sales of 12,000 downloads, according to Nielsen Music. “Living,” the album’s first proper single, starts with 10,000 sold and “Unapologetic,” 7,000. The tracks begin on Dance/Electronic Digital Songs at Nos. 9, 12 and 14, respectively. (She notches her first top 10 on the list, which launched in January 2010.)

Two versions of “Living,” the album original and an instrumental, shipped to club DJs on the evening of Dec. 21. Remixes are currently in production and, once approved by Madonna, will be sent out.

Madonna leads all acts with 43 Dance Club Songs No. 1s, with her most recent, “Turn Up the Radio,” ruling on Sept. 8, 2012.

Madonna told Billboard on Dec. 21 that “Living” went through more than 10 incarnations during the recording process, including ones with vocals from British singer MNEK. “There will be remixes with MNEK’s voice,” she confirmed.

As for radio airplay, top 40 has so far not warmed to “Living.” It’s received a mere 10 plays at the format (through Dec. 23) (led by KMXV Kansas City, which has sampled it three times). Then again, Interscope Records serviced the song at midnight, Monday morning (Dec. 22) as a soft sell. An Interscope source tells Billboard that the label will re-service the song after New Year’s and decide on an official “add” date shortly thereafter. (Surely the song’s rush release and Christmas week timing, when many programmers are on vacation, play into radio’s general lack of interest in the song so far.)

Madonna last reached the Pop Songs airplay chart in 2012, when “Give Me All Your Luvin’ ” (featuring Minaj and M.I.A.) and “Girl Gone Wild” reached Nos. 24 and 38, respectively. “Luvin’ “was aided by coordinated first-day plays on iHeartMedia-owned stations, as well as Madonna’s performance of it during the halftime show at Super Bowl XLVI.

“The reason I wanted to call the record Rebel Heart was because I felt like it explores two very distinct sides of my personality,” Madonna says. (The album’s buzz spurred Madonna to top the Billboard + Twitter real-time Trending 140 chart on Dec. 22.) “The rebellious, renegade side of me, and the romantic side of me.

“(Fans will) just get my rebellious and romantic side all mixed in together.”)

Source : Billboard